Select an episode
Not playing

Republic Remix: From Doordarshan to Digital

From cassettes to streaming, India remixes itself. Indipop booms, festivals surge, and Bollywood goes global. Ravi Shankar to A. R. Rahman, Coke Studios, hip-hop cyphers, Dalit and folk voices — performance becomes democracy in surround sound.

Episode Narrative

In the vibrant tapestry of Indian cultural heritage, music stands as a foundation upon which the spirit of the nation resonates. The journey of Indian classical music is not just an account of melodies and rhythms; it is a chronicle of the human experience, woven through centuries of tradition and transformation. As we embark on this narrative exploration titled "Republic Remix: From Doordarshan to Digital," we will unveil the profound evolution of Indian classical music, exploring how it has adapted, thrived, and reshaped itself across generations.

Our story begins in the depths of history, where the roots of Indian classical music can be traced as far back as the Vedic period. The Sāma Veda, one of the oldest texts, illuminates this musical evolution, filled with hymns chanted in specific pitches and accents. These hymns were not merely sounds but vessels of spiritual connectivity. Each note carried the power to invoke the divine, establishing a sacred relationship between sound and spirituality.

Centuries later, during the 16th century, the Mughal court emerged as a crucible of musical innovation. Under the reign of Emperor Akbar, a renaissance of classical music took shape. The legendary musician Mian Tansen introduced the dhrupad genre, transforming the landscape of Hindustani classical music. Tansen, often viewed as a mirror reflecting the very essence of musical genius, showcased the intricate relationship between music and emotion. Thus, it was here, amidst royal patronage and creative flourish, that music began to transcend its own metrical boundaries, evolving into an art form capable of expressing the full spectrum of human experience.

As we step further into history, we encounter the concept of Nāda-Brahman, introduced in medieval Tantra and music texts. This metaphysical idea, symbolizing the sacred source of sound, laid the groundwork for a deeper understanding of music’s role in spiritual and mystical dimensions. Indian classical music became more than entertainment; it evolved into a vehicle for transcendence, connecting the mundane to the divine, the earthly to the ethereal.

The distinctiveness of Indian classical music allows us to dive into the concept of raga. Each raga is meticulously crafted to align with specific times of the day, thought to maximize its aesthetic and emotional effects. Imagine a raga blooming at dawn, its melodies echoing the awakening of life, while another rests at twilight, embracing the tranquility of dusk. This complex relationship between time and tone imbues each performance with a sacred quality, enhancing the listener’s experience.

The evolution of music continued to align itself with cultural movements, and in the 19th century, classical music found a new voice amid burgeoning nationalist sentiments. As India began to awaken to thoughts of autonomy and identity, music became a rallying point, reflecting the aspirations and spirit of a nation longing for self-determination. An urban, largely Hindu concert culture emerged, often referred to as a musical renaissance. Classical music stood proudly as a symbol of heritage, artistry, and community, intertwining with the very fabric of Indian identity.

To preserve this cultural wealth, the gharana system took root. These musical schools became vital sanctuaries for distinct singing styles, each gharana passing down its unique approaches through generations. The gharana system not only maintained the legacy of musical tradition but also facilitated a rich exchange of ideas, fusing various influences and encouraging diverse expressions. The musical landscape thus morphed into a living, breathing organism, adapting to societal shifts while remaining anchored in tradition.

In this landscape, the emergence of a notation system developed by Pandit Vishnu Narayan Bhatkhande further solidified the foundation of Hindustani classical music. It provided a structural blueprint for documenting and teaching compositions, ensuring that the intricate details of ragas were preserved for future generations. This act of documentation became crucial in an age where the oral tradition was beginning to meld with written forms, blending antiquity and modernity into a seamless narrative.

Fast forward to the 21st century, where technology intersects harmoniously with tradition. The creation of the XML-based SANGEET dataset represents a significant leap in the preservation of Hindustani Sangeet compositions. This vast repository, storing comprehensive information on musical structures, notations, and rhythmic details, stands as a testament to the confluence of analog and digital worlds. It provides researchers, scholars, and enthusiasts with tools to explore the depths of Indian classical music like never before.

As digital platforms began to burst forth, a new era unfolded for Indian classical music, leading us to modern developments like the application of neural networks for raga identification. Achieving over 90% accuracy, this technological advancement not only aids musicians and scholars but has the potential to redefine how we engage with classical music, offering new pathways for discovery and appreciation. The storm of innovation has breathed fresh life into a timeless art, ensuring its relevance in an increasingly digital age.

Yet, the power of Indian classical music transcends the boundaries of technology. The intrinsic therapeutic qualities, particularly within Naad Yoga, remind us of music’s fundamental role in nurturing well-being. Ancient practices that utilize the frequencies and vibrations of sound to heal the mind and body embody a long-standing tradition that modern scientific research is beginning to explore and validate. The healing potential of music resonates deeply within each of us, intertwining with the very essence of our humanity.

As we reflect upon this rich tapestry, we see a harmonious interplay of diverse influences. The synthesis and hybridity seen throughout history — from the convergence of Persian and Indian musical systems during the Mughal era to the interactions between different regional styles — illustrate a dynamic evolution, enriched by each cultural exchange. This journey is not merely one of music, but of human connection and shared experiences, each note echoing stories of struggle, joy, and resilience.

Additionally, the artistry of Indian classical music is closely intertwined with various religious traditions, embedding itself into the devotional practices across Hinduism, Jainism, and Sikhism. Music becomes a spiritual conduit, allowing believers to express their devotion while fostering shared religious soundscapes. Each raga serves to fortify this connection, its emotional essence bridging gaps between diverse communities, uniting people through the shared language of sound.

The evolution extends further, intertwining itself with the expressive art forms of dance. The convergence of music and dance is particularly potent in classical Indian dance forms such as Bharatnatyam, Kathak, and Odissi. These art forms not only portray emotion through movement but also encapsulate the rhythmic and dramatic elements of music itself. In this confluence, we witness a rich dialog between sound and movement, each amplifying the other’s expressive potential, encapsulating the divine nature of art.

As our narrative reaches its conclusion, we are compelled to reflect upon the legacy of this intricate journey. From the echoing hymns of the Sāma Veda to the advanced applications of deep learning in musicology, the movement from Doordarshan — an era when national television broadcasted classical music to eager audiences — to our current digital landscape marks an extraordinary evolution. We find ourselves at a crossroads, where technology intersects with tradition, ushering in new ways to experience and appreciate Indian classical music.

In pondering the future, we must ask ourselves what lies ahead for this ancient art form. Will it retain its deeply rooted traditions amidst the whirl of digital innovation? Or will it evolve further, continuing to adapt while holding fast to its rich history? The answers remain unwritten, waiting to be discovered in the melodies yet to be composed and the emotions yet to be expressed. As we continue to explore this timeless art form, we find that every raga, every note, and every performance is a testament to the unwavering spirit of human expression, echoing across generations, a beautiful remix of culture, identity, and shared experience.

Highlights

  • In the General Era, Indian classical music’s foundational concept of raga is deeply tied to specific times of day, with each raga believed to maximize its aesthetic and emotional effects when performed at its prescribed time. - The Mughal court, particularly under Emperor Akbar in the 16th century, was a center for musical innovation, where musicians like Mian Tansen developed the dhrupad genre, a cornerstone of Hindustani classical music. - The concept of Nāda-Brahman, the metaphysical source of sacred sound, was introduced in medieval Tantra and music texts, forming the theoretical basis for Indian classical music’s spiritual and mystical dimensions. - The Sāma Veda, dating back to the Vedic period, is considered the origin of Indian music, with its hymns chanted using specific pitches and accents for religious rituals. - The gharana system, or musical schools, emerged as a way to preserve distinct singing styles within Hindustani classical music, with each gharana passing down its unique approach through generations. - The 19th century saw the adoption of classical music by nationalist movements in India, leading to the development of an urban, largely Hindu concert culture sometimes referred to as a musical renaissance. - The notation system for Hindustani classical music, developed by Pandit Vishnu Narayan Bhatkhande, became a standard for documenting and teaching compositions, preserving the structural and melodic information of ragas. - The XML-based SANGEET dataset, created in the 21st century, stores comprehensive information on Hindustani Sangeet compositions, including metadata, structural, notational, rhythmic, and melodic details, facilitating research and digital preservation. - The use of neural networks for raga identification and recommendation has achieved over 90% accuracy, demonstrating the potential for computational modeling in advancing Indian classical musicology. - The therapeutic use of Indian classical music, particularly in Naad Yoga, has a long tradition of promoting healing and well-being, with modern scientific research exploring the effects of frequencies and mantras on the human body and mind. - The history of Indian classical music is marked by a process of synthesis and hybridity, with Persian and Indian musical systems influencing each other, especially during the Mughal period. - The concept of raga parentage in Carnatic music, where ragas are classified as janaka (parent) and janya (derived), reflects a structured approach to melodic development and classification. - The emotional impact of ragas in North Indian classical music has been empirically supported, with distinct ragas eliciting distinct emotional responses from listeners. - The development of the mridangam, an ancient Indian classical percussion instrument, has been the subject of scientific treatises exploring its unique tonal properties and musical excellence. - The revival and transformation of traditional Kashmiri music in modern times reflect the intersection of tradition and modernity, shaped by historical, political, and technological advancements. - The use of visual analytics tools like MelodyVis allows for the exploration of melodic patterns in digital sheet music, enhancing the study and understanding of Indian classical music’s intricate structures. - The application of deep learning models, such as CNN-LSTM, for raga identification in Hindustani classical music has achieved high accuracy, advancing the field of automatic music retrieval and preservation. - The concept of rasa, or emotional sentiment, is central to Indian classical music, with each raga designed to evoke specific emotions and moods in the listener. - The integration of Indian classical music into devotional practices across various religions, including Hinduism, Jainism, and Sikhism, highlights its role in shared religious soundscapes. - The evolution of Indian classical dance forms, such as Bharatnatyam, Kathak, and Odissi, reflects the deep interconnection between music and dance, with each form possessing unique aspects of drama, rhythm, and expression.

Sources

  1. https://ieeexplore.ieee.org/document/10370046/
  2. https://www.semanticscholar.org/paper/adebc5551981b1213072b346d86b4018f86301ab
  3. https://muse.jhu.edu/article/933040
  4. https://intellectdiscover.com/content/journals/10.1386/itj_00003_2
  5. http://ijai.iaescore.com/index.php/IJAI/article/view/6398
  6. https://www.semanticscholar.org/paper/280cbbfd0af222e275ac7a65dfc1134557b4a4d3
  7. https://ijssrr.com/journal/article/view/2185
  8. https://www.semanticscholar.org/paper/cdf4f83503c3bbb6c8e99c59fc6ef0c52a898e89
  9. https://www.semanticscholar.org/paper/03f8d95e1bf62d0140d1cd889bcd160b437da26e
  10. https://durham-repository.worktribe.com/preview/1687674/8715.pdf