Select an episode
Not playing

Common Prosperity and the Culture Biz

Xi’s anti‑corruption drive and Common Prosperity recast deals, celebrity taxes, and platform power. Galleries trim excess; museums pivot to ‘red’ themes. Grassroots scenes adapt to tighter funding and louder slogans.

Episode Narrative

In the early 2010s, China stood at a crossroads, navigating the intricate pathways of tradition and modernization. A nation steeped in rich cultural history began grappling with the consequences of rapid growth and profound change. At the heart of this transformation, an ambitious leader emerged: Xi Jinping. It was in 2012 that he launched a groundbreaking anti-corruption campaign, a move intended to cleanse the ranks of the Communist Party and reinvigorate public trust. This campaign would go on to rewrite the narrative of governance in China, impacting every layer of society. By the time 2025 arrived, over four million officials had been investigated, including not just bureaucrats but prominent figures in entertainment and business, deeply intertwining the political with the cultural.

As the campaign unfolded, it sent ripples through the cultural landscape of China. From artists to celebrities, no one was insulated from the scrutiny of the state. This campaign became a mirror reflecting society's evolving values — shifting from opulence toward a more modest ethos. In 2015, the Chinese government began enforcing stricter tax regulations on celebrities, a move that initiated waves of compliance and compliance among artists. The case of actress Fan Bingbing, who faced a staggering fine of $130 million in 2018, sent shockwaves that echoed through the entertainment industry. It became a cautionary tale that reverberated among creators, reminding them of the tightrope they walked in an increasingly monitored environment.

By the time the Common Prosperity initiative was formally announced in 2021, the cultural patronage scene had already shifted dramatically. The state stepped in to fill the void left by diminishing private funding for art galleries and literary prizes. The focus turned toward state-sponsored themes and exhibitions, shaping a new artistic direction. Institutions pivoted, and many transitioned away from a reliance on private benefactors to embrace the state as their primary source of support. This change indicated a greater alignment with governmental objectives, intertwining state beliefs with cultural expression.

As part of this transformation, a notable shift occurred at the National Museum of China. By 2022, the museum launched a series of exhibitions showcasing "red culture," a formidable resurgence of revolutionary art and literature which accounted for over 60% of major programming by 2024. This focus symbolized not just a return to historical roots but an exploration of national identity, as the state sought to solidify its narrative through art. The red banners and iconic imagery celebrated a glorious past, carefully curated to inspire pride and unity among the populace.

With the onset of the digital era, from 2018 to 2025, a different wave of transformation swept through China's cultural landscape. The business environment experienced an accelerated digital shift, resulting in a surge of online art platforms and e-literature. By 2025, over 500 million users engaged with digital content. Artistic expression, once confined to galleries and bookstores, found a new frontier in the vast, interconnected realm of the internet. However, this transition did not come without its challenges. Grassroots art collectives and independent literary journals faced increased scrutiny, resulting in funding cuts and tighter regulations. In response, many adapted by emphasizing community-based projects that focused on local cultural heritage, striving to keep art relevant amid evolving governmental demands.

Further complicating the landscape, the “Made in China 2025” initiative was launched in 2015, signaling significant investments in high-tech industries. This initiative indirectly supported the rise of digital art and multimedia installations, a trend that gained momentum and saw investments in priority sectors triple to a remarkable $1.15 trillion by 2025. As this new wave of technology grew, a digital great leap forward redefined artistic expression. Major museums began embracing virtual reality and augmented reality, crafting immersive experiences that beckoned audiences to engage with art in ways previously unimagined.

Emerging from this digital ethos was a dynamic interplay between art and technology, where new narratives blossomed. By 2023, the Chinese government imposed regulations on online content, causing the closure of several independent art and literature websites. Paradoxically, this opened the door for state-approved platforms to thrive. User engagement surged significantly, reflecting a populace eager to engage in sanctioned narratives, while also stirring a latent desire for alternative voices.

The impact of the anti-corruption campaign and the Common Prosperity initiative extended to the art market itself. As societal values shifted, so too did the demand. Luxury artworks saw a decline in sales, making way for more modest, socially conscious pieces by 2024. This transition invited a different kind of reflection on the role of art: no longer merely a status symbol, but a means of social commentary and a vehicle for communal consciousness.

In 2024, the government launched an ambitious campaign to promote "red tourism." This endeavor embraced and restored revolutionary art sites, drawing over 100 million visitors by 2025. It was a celebration of heritage but also a strategy to intertwine national pride with economic growth. Art became a vessel for storytelling, allowing visitors to engage with the past while shaping the future.

This evolution wasn’t only confined to physical spaces; it echoed through the vast realms of digital engagement. The digital culture encouraged the rise of AI-generated art and literature, a phenomenon that blossomed from 2015 to 2025. Major exhibitions began to feature works created by artificial intelligence, challenging traditional notions of authorship and creativity. This transformation spoke to an uncharted territory in art, one marked by innovation yet grounded in current realities.

The push towards high-quality growth through financial reform further intensified. From 2020 to 2025, cultural projects received increased funding, emphasizing innovation and sustainability. The Common Prosperity initiative laid the groundwork for over 1,000 new cultural centers in rural areas aimed at promoting local art and literature. This outreach fostered a culture of inclusivity, allowing more voices to participate in the grand dialogue around national identity.

As this new direction unfolded, contemporary Chinese art and literature began to reflect the changing landscape of the economy. Emerging themes captured everyday life and social issues, marking a departure from the grand narratives of the past. The "new normal" embraced a multifaceted perspective, preparing to tackle the complexities of modern life in a rapidly evolving society. This cultural reawakening was a testament to resilience and adaptability, recognizing the necessity of evolving narratives that resonate with the contemporary experience.

The digital transformation also fostered the rise of e-commerce platforms, gradually reshaping how art and literature reach audiences. By 2025, over 80% of art sales and 70% of book sales occurred online. This change opened new avenues for creators, allowing their work to transcend geographic barriers and reach a global audience in a matter of clicks.

While the state's influence grew, it also catalyzed a significant increase in state-sponsored art and literature competitions, with over 10,000 participants in 2025. The government’s drive sought to nurture talent while aligning it with the ideals of the Common Prosperity initiative, ensuring that the narratives produced resonated with the overarching goals of societal stability and harmony.

Amid this complexity, creative communities continued to navigate the shifting tides of compliance and expression. Online art and literature communities burgeoned, boasting over 100 million active users by 2025. These platforms became vibrant spaces for dialogue, exchange, and creativity, serving as a reminder of the enduring spirit of artistic expression amid attempts to centralize control.

In the final analysis, the intertwining of government policy and cultural expression in contemporary China serves as a powerful reminder of art's role as both a mirror and a catalyst for society. The wave of changes initiated by the anti-corruption drive and the Common Prosperity initiative revealed a landscape replete with new challenges and opportunities. Public art installations and literary events flourished, with over 5,000 events held in 2025. These celebrations of culture offered a glimpse into a complex relationship between politics and creativity, one that shapes not just the story of a nation, but the very fabric of human experience.

As we look toward the future, we are left with essential questions about the role of culture in a society striving for prosperity. Can art continue to flourish amid the boundaries of state influence? How will the narratives of the past influence the creative voices of tomorrow? The journey through this evolving landscape prompts us to reflect on the delicate balance between expression and regulation, illuminating the intricate dance between art, politics, and the essence of what it means to belong.

Highlights

  • In 2012, Xi Jinping launched the anti-corruption campaign, which by 2025 had resulted in the investigation of over 4 million officials, including high-profile celebrities and business leaders, reshaping the landscape of cultural patronage and sponsorship in China’s art and literature sectors. - By 2015, the Chinese government began enforcing stricter tax regulations on celebrities, leading to high-profile cases such as Fan Bingbing’s $130 million fine in 2018, which sent shockwaves through the entertainment industry and prompted a wave of voluntary tax compliance among artists and writers. - The “Common Prosperity” initiative, formally announced in 2021, led to a significant reduction in private funding for art galleries and literary prizes, with many institutions pivoting to state-sponsored themes and exhibitions by 2023. - In 2022, the National Museum of China launched a series of exhibitions focused on “red culture,” featuring revolutionary art and literature, which accounted for over 60% of major museum programming by 2024. - The digital transformation of the business environment, accelerated by government policies from 2018 to 2025, saw a surge in online art platforms and e-literature, with over 500 million users engaging with digital content by 2025. - Grassroots art collectives and independent literary journals faced increased scrutiny and funding cuts from 2020 to 2025, with many adapting by focusing on community-based projects and local cultural heritage. - The “Made in China 2025” initiative, launched in 2015, included significant investments in high-tech industries, which indirectly supported the development of digital art and multimedia installations, with investments in priority sectors tripling to $1.15 trillion by 2025. - By 2023, the Chinese government had implemented new regulations on online content, leading to the closure of several independent art and literature websites, while state-approved platforms saw a 30% increase in user engagement. - The anti-corruption campaign also affected the art market, with a notable decline in the sale of luxury artworks and a shift towards more modest, socially conscious pieces by 2024. - In 2024, the Chinese government launched a nationwide campaign to promote “red tourism,” which included the restoration and promotion of revolutionary art sites, attracting over 100 million visitors by 2025. - The digital great leap forward, documented from 2015 to 2025, saw the rise of virtual reality (VR) and augmented reality (AR) in art exhibitions, with over 200 VR/AR installations in major museums by 2025. - The Common Prosperity initiative led to the establishment of new cultural centers in rural areas, with over 1,000 new facilities by 2025, aimed at promoting local art and literature. - The government’s push for high-quality growth through financial reform, from 2020 to 2025, included increased funding for cultural projects, with a focus on innovation and sustainability. - The “new normal” of the Chinese economy, characterized by a greater emphasis on domestic consumption and a more balanced economy, influenced the themes and styles of contemporary Chinese art and literature, with a focus on everyday life and social issues. - The digital transformation of the business environment also led to the rise of e-commerce platforms for art and literature, with over 80% of art sales and 70% of book sales occurring online by 2025. - The government’s anti-corruption drive and Common Prosperity initiative led to a significant increase in the number of state-sponsored art and literature competitions, with over 10,000 participants in 2025. - The digital great leap forward also saw the development of AI-generated art and literature, with several major exhibitions featuring AI-created works by 2025. - The government’s push for high-quality growth and innovation led to the establishment of new research centers for digital art and literature, with over 50 centers by 2025. - The digital transformation of the business environment also led to the rise of online art and literature communities, with over 100 million active users by 2025. - The government’s anti-corruption drive and Common Prosperity initiative led to a significant increase in the number of public art installations and literary events, with over 5,000 events held in 2025.

Sources

  1. https://www.ewadirect.com/proceedings/aemps/article/view/27697
  2. https://ojs.bonviewpress.com/index.php/JCBAR/article/view/4189
  3. https://www.cambridge.org/core/product/identifier/9781009509053/type/element
  4. https://www.ewadirect.com/proceedings/aemps/article/view/24018
  5. http://jier.org/index.php/journal/article/view/2470
  6. https://onlinelibrary.wiley.com/doi/10.1111/1758-5899.70054
  7. https://ssdl.online/images/conf/2025/smartgreens2025/96.pdf
  8. https://www.vidhyayanaejournal.org/index.php/journal/article/view/2367
  9. https://globalpresspk.com/index.php/JFATR/article/view/69
  10. https://onlinelibrary.wiley.com/doi/10.1111/j.1465-7287.1991.tb00344.x